Every track written, recorded, mixed, and mastered by hand. No shortcuts — the same standard I hold in the trade.
Written on a job site between pulls. Heavy riff, raw energy — the soundtrack to a 200A service upgrade.
Wrote this one after a weekend run on the Rubicon. Acoustic-driven with a driving rhythm section.
A slower burn. About the grind of working toward your license while everyone else clocks out at 5.
The brand track. Built from scratch in the studio — punchy drums, no filler. Producer credited in full.
I write, record, mix, and master every track myself. I don't produce the beat — I always give full credit to the producer — but everything else is done by hand, the same way I approach the trade.
I used to go by CNote — a nickname that came naturally when I started making music. But there are too many C-Notes out there, so when I get back in the studio I'll be going by Kilawatt — kill from my last name, watt from the trade. Felt right.
I had 100+ songs online at one point. They're gone now — some legal stuff, but mostly because I changed the message I was putting out. Everything I make now is either sending a positive message, about overcoming struggles, or has a faith-based element to it. The tracks online now reflect that shift — from who I was to who I was becoming.
Listen on Spotify